Despite all the equipment and technique, nothing compensates for the inability to notice.
Generally, my work concerns itself with the versatility of symbols and signs, as well as the dialogue and descriptive structures produced in the visual and theoretical situations that these forms depict. The work employs vocabularies that quote and question the familiar, the surreal, commercialism, the comic, everyday detritus, the abstract, the historical and the personal. These images are segregated, mutated or married together in the hope of discovering foreign, nonsensical or even liberated territories.
I have more dilemmas regarding what to paint rather than how to paint it. I fear that one day I may run out of ideas.
When it comes to materials and processes I don’t discriminate. Acrylic, oil, ink, pastel, spray paint, transfers, emulsion, pencil, pen, chalk… the luxury of passing time, the glazes of lapsed months, the vulnerable patinas, the dust, spillages, the fading… the re-working.